RAW Versus JPEG Exposure | What's Right For You?
The whole problem with the RAW vs JPEG exposure discussion is the notion of best, which should probably be replaced with the term most appropriate.
I’ve long been an exponent of RAW exposure and processing. But that doesn’t mean I recommend it to everyone. Quite the reverse!
While RAW is the best option for those prepared to process their image files on the desktop, it’s not for everyone.
So, regardless of what’s theoretically best, what matters to most folk is what is the most appropriate way to expose, process and store their files.
If photography for you is about being out and about and recording the world around you, and the notion of spending significant periods of time processing those photos on your computer is unappealing, then JPEG is for you. Simple!
The Making Of A JPEG Image In Camera
Do you remember back to the days of film based photography?
While it was possible to process your own photos in the darkroom, the vast majority of photographers left that up to photo labs bearing the name Kodak, Fuji or Agfa.
By setting your camera to JPEG you’re doing a similar thing.
The original RAW data recorded by the camera at the moment of exposure is processed, in camera, to produce a result with which most folk are usually happy.
All the more so if Little Johnny is smiling.
Setting your camera to JPEG enables the camera to both record and process your photos. Incidentally, JPEG is an acronym for the Joint Photographic Experts Group.
Sounds like a bunch of blokes to me!
Why RAW Exposure and Processing Is Right For Me
I come from a darkroom background, including days as a newspaper photographer and nine years studying photography at a tertiary level.
For me the idea of being able to process my RAW files to better render the subjects and scenes photographed in line with my own, individual aesthetic was appealing.
What’s more the notion of spending more time on the computer than in the field was acceptable as it was akin to the kind of commitment I was used to from my darkroom days.
Not my preference, but a compromise I was prepared to make in the pursuit of image quality.
JPEG Is Efficient, Mark My Words
Like most other things in photography your choice for a workflow based around RAW or JPEG will involve compromise.
JPEG is an efficient format. The camera processes the file, in an instant, for you.
It’s then compressed which allows for greater storage capacity on your camera’s memory card and, later, on your computer or external hard drive.
You can, of course, choose to further process the JPEG file yourself, at a later stage in applications like Lightroom or Luminar.
But you’ll be working with a JPEG file and it’s important to understand that that file will be far less responsive to adjustments in color temperature compared to an original and appropriately exposed RAW version of that same image.
But you’ll have more hours in the day available to you and some folk would prefer to use that time to exercise, make more photos or promote their business.
In The End The Choice Is Yours To Make
So, what’s the best option for you and your very own, individual circumstances?
If you’re a high end fashion or advertising photographer you already know the answer.
It’s RAW because you want to extract the very best out of your image files.
What’s more you’ve probably invested a great deal of time and effort over the years learning how to do just that. Hopefully you’re paid appropriately for the results you achieve.
If photography, for you, is all about making good photos in camera then JPEG makes sense.
That’s particularly the case if you’re not that comfortable spending hour upon hour processing your photos on the computer.
Just ensure you have the skills that will allow you to make high quality images, in camera. If you live in or around Melbourne I can help you with that.
It might be the case that the genre and/or aesthetic you’re most interested in is better served by a rougher, less flattering look to the final image.
Some street and documentary photographers would fit into that description. For them a JPEG workflow might be the way to go, though personal preference is what matters most.
My own particular approach to travel photography is more akin to traditional fine art landscape and portrait photography.
Image quality is paramount to the work I produce and, to achieve the desired aesthetic, a workflow based around RAW exposure and post processing on the desktop is appropriate.
It’s a compromise I’m prepared to make. But that doesn’t mean you need to.